Tuesday, September 27, 2016
The Ten Types of Movie (and Personal Statement) Plots — College Essay Guy – Get Inspired
The Ten Types of Movie (and Personal Statement) Plots — College Essay Guy – Get Inspired:
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Monday, September 26, 2016
Sunday, September 25, 2016
Friday, September 23, 2016
Nic Connole's Original Poetry
Waiting
By Nic Connole
Sitting at
my desk in the corner of my room,
Opening
the window to let in a brisk winter night wind,
Picking up
the books, bottles, and binders I had thrown across the room,
Calming my
whimpering dog, frightened by my overwhelming screams,
Looking
down upon my phone,
Waiting
for a notification to pop up on my screen,
Hoping it’s
from my mother,
Driving
myself crazy the longer I wait,
Leaning
back in my desk chair,
Staring up
at my plain, white ceiling,
Yelling at
God for why he does such terrible things to great people,
Wondering
why he would allow my dad to get cancer yet another time,
Thinking
the year of chemotherapy would’ve been enough to cease its advancement,
Crying
until there is nothing but an empty tissue box,
Sobbing
until I begin gasping for air,
Hearing
the overwhelming silence that fills my empty house,
Nothing
but silence,
Silence,
Peering
over my shoulder to see a picture of my dad and I,
Remembering
the unforgettable moments we shared together,
Hating
myself for taking each one for granted,
Bottling
up pure rage and anger on the inside,
Throwing
my phone at the wall causing it to ricochet onto my bed,
Noticing a
faint sound coming from my phone,
Realizing
that someone has texted me,
Running
over to the sounds of annoying Apple ring tones,
Grabbing
my phone off the unmade Queen-size bed,
Reading
the paragraph sent by my mother through the shattered glass screen,
Transferring
the information regarding my father’s surgery to my head,
Feeling my
palms perspire across the back of my phone,
Processing
the details I had just been given,
Walking
slowly back to my desk,
Plugging
in my phone to charge for the night,
Removing
my tear-filled long sleeve shirt from my trembling body,
Switching
the light in my room from on to off,
Crawling
into the warm sheets of my bed,
Watching
my dog jump up to sleep in comfort with me,
Laying
back on my soft, tempurpedic pillow,
Letting
out one last sigh,
Closing my
eyes,
Falling
sleep,
Smiling,
Knowing
that my dad, Dan Connole, is now a cancer free man.
Wednesday, September 21, 2016
Literary Terms
Characterization
Direct characterization
Indirect characterization
Round character
Flat character
Dynamic character
Static character
First person
Second person
Third person omniscient
Third person limited
Setting
Tone
Tone
Mood
Conflict - direct, indirect, internal, external
Theme
Plot
Exposition
Complication
Climax
Climax
Falling action
Resolution
Resolution
Denouement
Dialogue
Irony
Flashback
Foreshadowing
Tuesday, September 20, 2016
Monday, September 12, 2016
Peer Revision Norms
Bring copies for your group
Read it out loud
Be positive, constructive and helpful
Be specific
Focus on big picture first, then small details later
Use STAR
S - substitute
T - take out
A - add
R - rearrange
Tuesday, September 6, 2016
The Names - NYTimes.com
The Names - NYTimes.com:
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The Names
By Billy Collins
Published: September 6, 2002
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- PRINT
- REPRINTS
Yesterday, I lay awake in the palm of the night.A fine rain stole in, unhelped by any breeze,And when I saw the silver glaze on the windows,I started with A, with Ackerman, as it happened,Then Baxter and Calabro,Davis and Eberling, names falling into placeAs droplets fell through the dark.Names printed on the ceiling of the night.Names slipping around a watery bend.Twenty-six willows on the banks of a stream.In the morning, I walked out barefootAmong thousands of flowersHeavy with dew like the eyes of tears,And each had a name --Fiori inscribed on a yellow petalThen Gonzalez and Han, Ishikawa and Jenkins.Names written in the airAnd stitched into the cloth of the day.A name under a photograph taped to a mailbox.Monogram on a torn shirt,I see you spelled out on storefront windowsAnd on the bright unfurled awnings of this city.I say the syllables as I turn a corner --Kelly and Lee,Medina, Nardella, and O'Connor.When I peer into the woods,I see a thick tangle where letters are hiddenAs in a puzzle concocted for children.Parker and Quigley in the twigs of an ash,Rizzo, Schubert, Torres, and Upton,Secrets in the boughs of an ancient maple.Names written in the pale sky.Names rising in the updraft amid buildings.Names silent in stoneOr cried out behind a door.Names blown over the earth and out to sea.In the evening -- weakening light, the last swallows.A boy on a lake lifts his oars.A woman by a window puts a match to a candle,And the names are outlined on the rose clouds --Vanacore and Wallace,(let X stand, if it can, for the ones unfound)Then Young and Ziminsky, the final jolt of Z.Names etched on the head of a pin.One name spanning a bridge, another undergoing a tunnel.A blue name needled into the skin.Names of citizens, workers, mothers and fathers,The bright-eyed daughter, the quick son.Alphabet of names in green rows in a field.Names in the small tracks of birds.Names lifted from a hatOr balanced on the tip of the tongue.Names wheeled into the dim warehouse of memory.So many names, there is barely room on the walls of the heart.Billy Collins is poet laureate of the United States. This poem will be read before Congress today at its joint session in New York City.
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- REPRINTS
Yesterday, I lay awake in the palm of the night.
A fine rain stole in, unhelped by any breeze,
And when I saw the silver glaze on the windows,
I started with A, with Ackerman, as it happened,
Then Baxter and Calabro,
Davis and Eberling, names falling into place
As droplets fell through the dark.
Names printed on the ceiling of the night.
Names slipping around a watery bend.
Twenty-six willows on the banks of a stream.
In the morning, I walked out barefoot
Among thousands of flowers
Heavy with dew like the eyes of tears,
And each had a name --
Fiori inscribed on a yellow petal
Then Gonzalez and Han, Ishikawa and Jenkins.
Names written in the air
And stitched into the cloth of the day.
A name under a photograph taped to a mailbox.
Monogram on a torn shirt,
I see you spelled out on storefront windows
And on the bright unfurled awnings of this city.
I say the syllables as I turn a corner --
Kelly and Lee,
Medina, Nardella, and O'Connor.
When I peer into the woods,
I see a thick tangle where letters are hidden
As in a puzzle concocted for children.
Parker and Quigley in the twigs of an ash,
Rizzo, Schubert, Torres, and Upton,
Secrets in the boughs of an ancient maple.
Names written in the pale sky.
Names rising in the updraft amid buildings.
Names silent in stone
Or cried out behind a door.
Names blown over the earth and out to sea.
In the evening -- weakening light, the last swallows.
A boy on a lake lifts his oars.
A woman by a window puts a match to a candle,
And the names are outlined on the rose clouds --
Vanacore and Wallace,
(let X stand, if it can, for the ones unfound)
Then Young and Ziminsky, the final jolt of Z.
Names etched on the head of a pin.
One name spanning a bridge, another undergoing a tunnel.
A blue name needled into the skin.
Names of citizens, workers, mothers and fathers,
The bright-eyed daughter, the quick son.
Alphabet of names in green rows in a field.
Names in the small tracks of birds.
Names lifted from a hat
Or balanced on the tip of the tongue.
Names wheeled into the dim warehouse of memory.
So many names, there is barely room on the walls of the heart.
Billy Collins is poet laureate of the United States. This poem will be read before Congress today at its joint session in New York City.
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Thursday, September 1, 2016
Stories in your pocket: how to write flash fiction | Books | The Guardian
Stories in your pocket: how to write flash fiction | Books | The Guardian:
1. Start in the middle.
You don't have time in this very short form to set scenes and build character.
2. Don't use too many characters.
You won't have time to describe your characters when you're writing ultra-short. Even a name may not be useful in a micro-story unless it conveys a lot of additional story information or saves you words elsewhere.
3. Make sure the ending isn't at the end.
In micro-fiction there's a danger that much of the engagement with the story takes place when the reader has stopped reading. To avoid this, place the denouement in the middle of the story, allowing us time, as the rest of the text spins out, to consider the situation along with the narrator, and ruminate on the decisions his characters have taken. If you're not careful, micro-stories can lean towards punchline-based or "pull back to reveal" endings which have a one-note, gag-a-minute feel – the drum roll and cymbal crash. Avoid this by giving us almost all the information we need in the first few lines, using the next few paragraphs to take us on a journey below the surface.
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4. Sweat your title.
Make it work for a living.
5. Make your last line ring like a bell.
The last line is not the ending – we had that in the middle, remember – but it should leave the reader with something which will continue to sound after the story has finished. It should not complete the story but rather take us into a new place; a place where we can continue to think about the ideas in the story and wonder what it all meant. A story that gives itself up in the last line is no story at all, and after reading a piece of good micro-fiction we should be struggling to understand it, and, in this way, will grow to love it as a beautiful enigma. And this is also another of the dangers of micro-fiction; micro-stories can be too rich and offer too much emotion in a powerful one-off injection, overwhelming the reader, flooding the mind. A few micro-shorts now and again will amaze and delight – one after another and you feel like you've been run over by a lorry full of fridges.
6. Write long, then go short.
Create a lump of stone from which you chip out your story sculpture. Stories can live much more cheaply than you realise, with little deterioration in lifestyle. But do beware: writing micro-fiction is for some like holidaying in a caravan – the grill may well fold out to become an extra bed, but you wouldn't sleep in a fold-out grill for the rest of your life.
Off you go!
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